Linsoul TINHIFI T3 Plus 10mm LCP Diaphragm Hi-Fi in-Ear Earphone with Detachable 2Pin OFC Cable, 3D-Printed Shell for Audiophile Musician

£36
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Linsoul TINHIFI T3 Plus 10mm LCP Diaphragm Hi-Fi in-Ear Earphone with Detachable 2Pin OFC Cable, 3D-Printed Shell for Audiophile Musician

Linsoul TINHIFI T3 Plus 10mm LCP Diaphragm Hi-Fi in-Ear Earphone with Detachable 2Pin OFC Cable, 3D-Printed Shell for Audiophile Musician

RRP: £72.00
Price: £36
£36 FREE Shipping

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Description

Good day! After 30 hours of burn-in and observation, here are my thoughts about the TinHiFi T3 Plus – a relatively new IEM that uses an LCP Driver. We’ll answer if this is better, exactly the same, or underwhelming vs the IEM that uses also an LCP driver on its configuration - The Moondrop Aria.​ I had the TinHifi P1 for review, and really liked that model, so I’d be pretty curious to listen to the new P1 Plus. Inside, you get the same Planar driver with 14 magnets, distributed across the ultra-thin planar diaphragm, in a 304L Stainless steel shell. The T3 Plus’s treble response is likely to be the most polarizing aspect of its tuning as the lower treble is more elevated than I would consider safe. I enjoy the sizzle and definition this gives percussion, but some may find it uncomfortable. While there is more sparkle than air, upper treble extension is surprisingly good for a budget IEM. Transient delivery is a little hazy and not as sharp or defined as it could be. Detail retrieval is good for the price. As mentioned before, instrument separation is very good. Imaging is fairly average, but the soundstage is quite wide for a single dynamic driver design. The lower midrange is a tinge depressed. Upper mids are forward without being shouty, with a ~10 dB pinna gain. Female vocals are forward over male ones. Treble notes are starker and more forward on the Kinera. The T3 Plus’ treble extension is a bit stronger, as is the treble timbre. Furthermore, the T3 Plus transients sound a tad more natural due to slightly rounder notes. Finally, soundstage dimensions are pretty close on both units but the T3 Plus stage feels more stable with cleaner air between instruments. Conclusion

Both sets are quite technical and analytical in tuning, and they are also close in technicalities (in imaging, instrument separation and micro-details), though the Titan S have a better soundstage. The Heart Mirror have better clarity, though this is a function of a boosted treble. The Whizzer He-01 is also a single dynamic driver IEM at a similar price point, perhaps slightly pricier. I would say between the two, they have quite a lot of similarities in tuning and sound signature. I would say that the T3 Plus is more comfortable than the Whizzer and has a better and a better 2-pin connector. From what I remember, the bass is also slightly tighter and less muddy on the T3 Plus than on the Whizzer. As described before, the lower-midrange can get clouded by the sheer dominance of the sub-bass frequencies. This is most apparent in songs where there is a heavy bass-line that accompanies the male vocals. One such example would be Alter Bridge’s Open Your Eyes. Recently my IEM broke and I am looking for an IEM that is vanilla in flavour where it presents music as it should be, correctly without too much colouring or bringing out certain aspects to the spotlight. Does Titan S fall under such category? The low end in the T3 Plus is exceptional and actually i didn’t have any big expectations with the Tin product especially in the low end but surprisingly the low end is just BAM!MID BASS: The mid bass is tastefully done where the presence is evident still no bleed is observed in the mid range. The fastness is adequate, control and separation in the mid bass region is very good for the price. If not, it's the best in this price range. The nice low end presence gave the staging a nice depth sensation. The layering effect and the technicalities aspect of the low end is very precisely done.

The Heart Mirror have worse timbral accuracy and a thinner note weight. The Heart Mirror are harder to drive, and are more anemic in the bass, especially in the sub-bass region. The Heart Mirror are more peaky in the treble, with greater sibilance and less smoothness. They can come across as more fatiguing than the Titan S. In this review, I will be discussing the Simgot EM6L, comparing it with the Xenns Mangird Top and QKZ HBB Khan. I have tested the EM6L using the Moondrop Moonriver 2 Ti and Fiio Q3 Dac Amp. No monetary compensation is/was involved before, during, and after the period of creation of this review. The vocal presentation is very clean, but male vocals sound a bit thin to my ears. However, female vocals are really enjoyable on the EM6L. In fact, I would say that female vocals sound even better on this than on the Xenns Top.

QUESTIONS & ANSWERS

For the Bass it has come with a 10mm dynamic driver sub Bass focused tuning.At first 1 thought the bass wasn't adequate,after tweeking a bit with the Equaliser by increasing few Dbs in low frequency section it started sounding Much Much better. yes this 10mm Dynamic driver can take the EQ like a charm. LIQUID CRYSTAL POLYMER DIAPHRAGM WITH 10MM DYNAMIC DRIVER – The Tin HIFI T3 is equipped with a 10mm dynamic driver on each side, as well as a full-size Liquid Crystal Polymer (LCP) coil and high-performance magnets. They maintain a proper pressure inside the driver cavity, resulting in distortion-free sound and reduced noise from unnecessary vibration.



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